Color Grading

Here is how this works in practice. We set up grading sessions with skilled colorists in professionally calibrated grading suites across the Czech Republic, managing media preparation, reference material, and scheduling so each project receives the creative color treatment its director intends. Colorists here work primarily in DaVinci Resolve Studio, with Baselight and FilmLight expertise ready, developing custom looks from subtle naturalistic grades to bold stylized treatments scene by scene. For shoots bound for top sites or theatrical release, the team grades HDR natively on calibrated reference monitors and creates SDR trim passes, supporting HDR10, HDR10+, Dolby Vision, and HLG. Remote grading is gave through calibrated streaming so directors can review and direct sessions from anywhere. The result is a steady, emotionally deliberate grade applied across the full cut, with deliverable versions and masters prepared for each needed format.

Here is the short of it. Prague's standing as the 'Hollywood of the East' rests on a post-prod base that has finished shoots such as 'Casino Royale' and 'Snowpiercer' at Barrandov Studios. Grading is a core part of that finishing pipeline. The city's grading suites serve a steady mix of global features, streaming series including 'Carnival Row' and 'The Wheel of Time', and Czech Television drama. A breadth that keeps colorists fluent across period, genre, and today's aesthetics.

Here is the breakdown. Theatrical projects finishing in the Czech Republic frequently premiere at the Karlovy Vary International Film Festival, one of the oldest A-list festivals in the world, so the grade is often built with a Digital Cinema Package and DCI color space in mind. Whether your production needs a desaturated thriller look, warm period tones for a drama, or a stylized genre grade, our team matches colorists and suites to the visual ambition and delivery path of the project.