Audio Mixing & Mastering

Here is how this works in practice. We set up audio mixing and mastering through Prague facilities equipped to deliver final soundtracks at broadcast, theatrical, and streaming-sites standards. Our team manages session scheduling, stem and asset delivery, and quality control so the mix balances dialogue, music, and effects into a cohesive whole, then masters it to the loudness target that governs the destination.

Here is the short of it. For European broadcast the deliverable conforms to EBU R128, the loudness standard needed across EBU member networks including Česká televize; for streaming we hit sites-specific targets for Netflix, Max, Disney+, and Apple TV+; for theatrical release we align with cinema reference levels. We deliver full stem packages — dialogue, music, and effects — along with full M&E tracks so global versioning and the Czech dubbing process can proceed without rework. Every master ships with cue sheets and frame-accurate stems for seamless integration downstream.

Here is the breakdown. The Czech Republic's post-prod industry, centred on Prague and anchored by Barrandov Studios since 1933, has finished global features and series for decades. From 'Mission: Impossible' in 1996 to recent streaming series such as 'Carnival Row'. That history has produced mixing engineers fluent in both the demands of global clients and the technical specs of Czech Television's ČT1, ČT2, and ČT art channels.

Here is what that looks like on the ground. Prague's top film-scoring infrastructure — the FILMharmonic Orchestra and recording venues including the Rudolfinum and Smecky Music Studios — means mastering engineers here routinely work with pristine live orchestral sessions and know how to preserve their dynamic range through the final master. Whether your project needs a broadcast master for ČT delivery, a streaming package, or a theatrical mix for a Karlovy Vary premiere, our team matches the deliverable to its loudness specs and the creative intent of the soundtrack.