Volumetric Capture

Here is how this works in practice. We give volumetric capture services for clients working in the Czech Republic, recording performers and objects from many synchronised cameras to create three-dimensional digital assets that can be viewed from any angle. Volumetric capture underpins AR, VR, virtual-production and interactive content, placing photoreal people and objects into digital environments. The technique demands a calibrated multi-camera array, precise synchronisation, controlled lighting and a big data and processing pipeline, and our teams handle both the capture session and the tech brief for the reconstruction. Barrandov Studios in Prague and Prague Studios give the controlled stage space volumetric capture needs. The Czech crew base is deep, worldwide skilled and trained in part at FAMU, fluent in today's real-time workflows.

Here is the short of it. Volumetric capture in the Czech Republic connects to Prague's set up visual-effects and real-time sector, built around Barrandov and studios such as UPP over decades of global service shoots. That ecosystem supports the reconstruction, processing and integration that volumetric assets need, so a project can capture and finish within the same environment. Productions drawn here by the Czech Film Fund's 20% cash rebates, administered by the Státní fond kinematografie, can apply the rebates to qualifying volumetric and related production spend. We manage the stage booking, the multi-camera array and the data pipeline, set up volumetric capture with virtual-production, AR and VR workflows where a project combines techniques, and budget the work in Czech koruna with 21% VAT.